{"id":1926,"date":"2019-05-24T00:12:03","date_gmt":"2019-05-24T04:12:03","guid":{"rendered":"http:\/\/mulanfestival.com\/?page_id=1926"},"modified":"2019-07-30T23:27:25","modified_gmt":"2019-07-31T03:27:25","slug":"yang-yin-gender-in-chinese-cinema","status":"publish","type":"page","link":"https:\/\/mulanfestival.com\/zh\/yang-yin-gender-in-chinese-cinema\/","title":{"rendered":"Yang \u00b1 Yin: Gender in Chinese Cinema | \u7537\u751f\u5973\u76f8\uff1a\u534e\u8bed\u7535\u5f71\u4e4b\u6027\u522b"},"content":{"rendered":"
[vc_row][vc_column][vc_single_image image=”1928″ img_size=”full” alignment=”center” el_class=”title-content-image” css=”.vc_custom_1558672495292{margin-bottom: 0px !important;}”][vc_empty_space height=”28px”][vc_text_separator title=”YIN AND YANG \u9634\u9633” el_class=”title-programm-separator”][mk_fancy_title strip_tags=”true” tag_name=”h1″ size=”48″ force_font_size=”true” size_tablet=”40″ size_phone=”24″ line_height=”120″ font_weight=”500″ font_style=”italic” margin_bottom=”0″ font_family=”none” align=”center” el_class=”main-title-english”]Yang \u00b1 Yin: Gender in Chinese Cinema[\/mk_fancy_title][mk_fancy_title size=”48″ force_font_size=”true” size_tablet=”40″ size_phone=”24″ line_height=”120″ letter_spacing=”2″ margin_bottom=”5″ font_family=”none” align=”center” el_class=”main-title-chinese”]\u7537\u751f\u5973\u76f8\uff1a\u534e\u8bed\u7535\u5f71\u4e4b\u6027\u522b[\/mk_fancy_title][mk_fancy_title tag_name=”h3″ size=”20″ force_font_size=”true” size_phone=”14″ margin_bottom=”0″ font_family=”none” align=”center”]Stanley Kwan | \u5173\u9526\u9e4f<\/span>[\/mk_fancy_title][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text css=”.vc_custom_1564543643369{margin-bottom: 0px !important;}”]\n

UK and Hong Kong, China | 80 minutes | 1996 | Documentary | Cantonese and\u00a0<\/span>Mandarin | English Subtitles | 14A
\n<\/span>\u82f1\u56fd\u3001\u4e2d\u56fd\u9999\u6e2f\uff5c80 \u5206\u949f\uff5c1996<\/span>\uff5c\u7eaa\u5f55\u7247\uff5c\u7ca4\u8bed\u3001\u666e\u901a\u8bdd\uff5c\u82f1\u6587\u5b57\u5e55\uff5c14A<\/p>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][mk_custom_box padding_vertical=”0″ padding_horizental=”0″ min_height=”0″ el_class=”programme-page__schedule-box”][vc_column_text css=”.vc_custom_1562442324632{margin-bottom: 10px !important;}”]\n

SAT, AUG 17, 4:30 \u2013 6:00 PM
\nInnis Town Hall<\/strong><\/p>\n

Screening<\/p>\n[\/vc_column_text][vc_btn title=”BUY TICKETS | \u8d2d\u7968” style=”outline” color=”black” size=”sm” align=”center” el_id=”eventbrite-widget-modal-trigger-64432059023″ css=”.vc_custom_1562442818539{margin-bottom: 5px !important;}”][vc_raw_js]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[\/vc_raw_js][\/mk_custom_box][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][mk_padding_divider][vc_column_text css=”.vc_custom_1562182495507{margin-bottom: 0px !important;}”]\n

On cinema\u2019s 100th anniversary, Stanley KWAN examines gender, sexuality and family issues through Yang \u00b1 Yin: Gender in Chinese Cinema<\/em>. Dividing his reflections into six chapters, he constructs a visual essay with archival footage and extensive interviews of centre figures in contemporary Chinese cinemas. This remarkable film is both a candid autobiography and a piercing investigation on androgynous characters and sexual ambivalence.<\/p>\n

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\"\"<\/span>Born in 1957, Stanley KWAN graduated from the Hong Kong Baptist College with a degree in mass communications. He once landed a job at Hong Kong’s Television Broadcasts Limited (TVB) before working as production assistant for Ann HUI (A Simple Life<\/em><\/a>) and other Hong Kong directors. His debut feature,\u00a0Women<\/em><\/strong> (1985), starring Chow Yun-fat, was a major box office success. As a key figure in the Hong Kong Second Wave, Kwan constantly explores the power of female protagonists and their romantic struggles with sympathetic eyes, and such directorial credits include\u00a0Rouge<\/em><\/strong>\u00a0(1987),\u00a0Full Moon in New York<\/em><\/strong>\u00a0(1989),\u00a0Center Stage<\/a>\u00a0<\/em><\/strong>(1992), Red Rose White Rose<\/em><\/strong> (1994) and Everlasting Regret<\/strong><\/em> (2005). His latest film,\u00a0First Night Nerves<\/strong><\/em><\/a> (2018), will have its Canadian Premiere at our festival on August 17.<\/p>\n

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