{"id":2206,"date":"2019-06-24T22:27:29","date_gmt":"2019-06-25T02:27:29","guid":{"rendered":"http:\/\/mulanfestival.com\/?page_id=2206"},"modified":"2019-07-30T22:58:55","modified_gmt":"2019-07-31T02:58:55","slug":"east-palace-west-palace","status":"publish","type":"page","link":"https:\/\/mulanfestival.com\/zh\/east-palace-west-palace\/","title":{"rendered":"East Palace, West Palace | \u4e1c\u5bab\u897f\u5bab"},"content":{"rendered":"
[vc_row][vc_column][mk_fullwidth_slideshow padding=”0″ bg_position=”center center” images=”2818,2819,2820,2821″ stretch_images=”true” el_class=”title-content-image”][vc_empty_space height=”28px”][vc_text_separator title=”YIN AND YANG | \u9634\u9633” el_class=”title-programm-separator”][mk_fancy_title strip_tags=”true” tag_name=”h1″ size=”48″ force_font_size=”true” size_tablet=”40″ size_phone=”24″ line_height=”120″ font_weight=”500″ font_style=”italic” margin_bottom=”0″ font_family=”none” align=”center” el_class=”main-title-english”]East Palace, West Palace[\/mk_fancy_title][mk_fancy_title size=”48″ force_font_size=”true” size_tablet=”40″ size_phone=”24″ line_height=”120″ letter_spacing=”2″ margin_bottom=”5″ font_family=”none” align=”center” el_class=”main-title-chinese”]\u4e1c\u5bab\u897f\u5bab[\/mk_fancy_title][mk_fancy_title tag_name=”h3″ size=”20″ force_font_size=”true” size_phone=”14″ margin_bottom=”0″ font_family=”none” align=”center”]ZHANG Yuan | \u5f20\u5143[\/mk_fancy_title][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text css=”.vc_custom_1564541933471{margin-bottom: 0px !important;}”]\n

China | 93 minutes | 1996 | Fiction | Mandarin<\/span> | English Subtitles | 35mm | 14A
\n<\/span>\u4e2d\u56fd\uff5c93 \u5206\u949f\uff5c1996\uff5c\u865a\u6784\uff5c\u666e\u901a\u8bdd\uff5c\u82f1\u6587\u5b57\u5e55\uff5c35\u6beb\u7c73\u80f6\u7247\uff5c14A<\/p>\n[\/vc_column_text][mk_blockquote style=”line-style” font_family=”none” el_class=”hidden-all”]\n

1996 Mar del Plata Film Festival – Best Director <\/strong>and Best Screenplay<\/strong>
\n<\/span>1996\u5e74\u963f\u6839\u5ef7\u9a6c\u5854\u5e03\u62c9\u5854\u56fd\u9645\u7535\u5f71\u8282 – \u6700\u4f73\u5bfc\u6f14\u3001\u6700\u4f73\u7f16\u5267<\/strong>
\n<\/span><\/p>\n

1997 Cannes Film Festival – Un Certain Regard Official Selection
\n1997\u5e74\u621b\u7eb3\u56fd\u9645\u7535\u5f71\u8282 – <\/span>\u4e00\u79cd\u5173\u6ce8\u5165\u56f4<\/p>\n

 <\/p>\n

“East Palace, West Palace<\/em> beats Genet\u2019s Un Chant d\u2019Amour<\/em>, Fassbinder\u2019s Querelle<\/em> and even Todd Haynes\u2018 Poison<\/em> as the most Genet-esque movie ever made.\u201d<\/p>\n

Tony Rayns (Sight & Sound<\/em>)<\/p>\n

 <\/p>\n

“East Palace, West Palace<\/em> is one of the most important Chinese films of the past 20 years. [\u2026] Superb performances and accomplished direction make this one of the finest films in this year\u2019s festival, gay or straight, Chinese of otherwise.\u201d<\/p>\n

Professor Paul Clarke (The New Zealand Herald<\/em>)<\/p>\n

 <\/p>\n

“A film to be remembered in 1997 is East Palace, West Palace<\/em>, China\u2019s much-celebrated and controversial consideration for Un certain regard.\u201d<\/p>\n

Kimberley Newman (The Hollywood Reporter<\/em>)<\/p>\n[\/mk_blockquote][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][mk_custom_box padding_vertical=”0″ padding_horizental=”0″ min_height=”0″ el_class=”programme-page__schedule-box”][vc_column_text css=”.vc_custom_1562442743527{margin-bottom: 10px !important;}”]\n

SAT, AUG 17, 2:30 \u2013 4:10 PM
\nInnis Town Hall<\/strong><\/p>\n

Screening<\/p>\n[\/vc_column_text][vc_btn title=”BUY TICKETS | \u8d2d\u7968” style=”outline” color=”black” size=”sm” align=”center” el_id=”eventbrite-widget-modal-trigger-64431894531″ css=”.vc_custom_1562442730173{margin-bottom: 5px !important;}”][vc_raw_js]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[\/vc_raw_js][\/mk_custom_box][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”2\/3″][mk_padding_divider][vc_column_text css=”.vc_custom_1561874961444{margin-bottom: 0px !important;}”]Beijing, early 1990s \u2013 after a random night raid in a local park, a young gay writer, A-Lan (SI Han), is held for an intensive one-on-one interrogation. Unwanted memories offer glimpses of A-Lan\u2019s tumultuous childhood, first sexual experiences, forced farm labour, and his incessant search for love. Through the night, the interrogating officer (HU Jun) confronts feelings that alternate between revulsion and fascination. An awkward but sincere love story unfolds…<\/p>\n

90\u5e74\u4ee3\u521d\u7684\u5317\u4eac\uff0c\u6d3e\u51fa\u6240\u6c11\u8b66\u5c0f\u53f2\uff08\u80e1\u519b\uff09\u548c\u540c\u50da\u5e38\u5728\u591c\u5e55\u964d\u4e34\u540e\u5230\u67d0\u516c\u56ed\u4e2d\u626b\u8361\u3001\u6293\u6355\u5728\u90a3\u513f\u5e7d\u4f1a\u7684\u7537\u540c\u6027\u604b\u4eba\u58eb\u3002\u67d0\u4e00\u665a\uff0c\u5c0f\u53f2\u902e\u4f4f\u4e86\u6beb\u4e0d\u95ea\u907f\u7684\u4f5c\u5bb6\u963f\u5170\uff08\u53f8\u6c57\uff09\uff0c\u5c06\u4ed6\u62f7\u56de\u6240\u91cc\uff0c\u4e09\u756a\u56db\u6b21\u5730\u7f9e\u8fb1\u4ed6\u3001\u751a\u81f3\u66b4\u529b\u76f8\u5411\u3002\u7136\u800c\u963f\u5170\u5bf9\u81ea\u5df1\u662f\u540c\u6027\u604b\u4e00\u4e8b\u4e1d\u6beb\u4e0d\u89c9\u7f9e\u803b\uff0c\u9762\u5bf9\u7740\u5c0f\u53f2\uff0c\u4ed6\u4e0d\u52a8\u58f0\u8272\u53c8\u5145\u6ee1\u8bd7\u610f\u5730\u8bb2\u8d77\u4e86\u81ea\u5df1\u4e0d\u5b89\u7684\u7ae5\u5e74\u3001\u7b2c\u4e00\u6b21\u6027\u4f53\u9a8c\uff0c\u4ee5\u53ca\u4ed6\u5bf9\u7231\u548c\u4eb2\u5bc6\u7684\u6e34\u671b\u548c\u8ffd\u5bfb\u3002\u800c\u968f\u7740\u5bf9\u8bdd\u4e0d\u65ad\u6df1\u5165\uff0c\u963f\u5170\u5411\u5c0f\u53f2\u900f\u9732\u4e86\u81ea\u5df1\u7684\u7231\u6155\u2026\u2026[\/vc_column_text][mk_padding_divider size=”20″][mk_fancy_title size=”20″ margin_bottom=”0″ font_family=”none”]Director \u5bfc\u6f14[\/mk_fancy_title][vc_column_text css=”.vc_custom_1561874784516{margin-bottom: 0px !important;}”]\"\"Born in Nanjing, Jiangsu Province in 1963, ZHANG Yuan was once a pioneer among China’s sixth-generation filmmakers. He graduated with a Bachelor of Arts degree in Cinematography from the Beijing Film Academy in 1989. In 1990, Zhang produced and directed his debut feature, Mama<\/em><\/strong>, which won the Jury Award and a Special Mention at the Festival des Trois Continents in Nantes, France. Since then, his films have toured the international film festival circuit with wide acclaim, including Beijing Bastards<\/strong> <\/em>(1992, Special Mention at Locarno), documentary The<\/strong> Square <\/strong><\/em>(1994, Jury Award at Hawaii), Sons<\/strong><\/em> (1995, Tiger Award at Rotterdam), East Palace, West Palace<\/strong><\/em> (1996, Best Director at Mar del Plata), Seventeen Years<\/strong><\/em> (1999, Special Director’s Award at Venice) and Little Red Flower<\/strong><\/em> (2006, Golden Horse Award for Best Adapted Screenplay). He was also an active MTV producer and director, working closely with CUI Jian, China’s “Godfather of Rock & Roll”. His direction of Cui’s Wild in the Snow<\/em> won the Best Asian MTV Award at the American MTV Awards in 1991, and A Piece of Red Cloth<\/em>\u00a0won a Special Mention at San Francisco\u2019s Golden Gate Awards.<\/p>\n

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