全年活动

在我们的年度电影节之间来加入我们的全年活动，享受放映会、讲座、艺术展览等精彩活动。

2025

Re/constructing Memories: A Contemporary Chinese Experimental Animation Series

免费活动。由多伦多大学东亚研究系及木兰国际电影节共同举办。

由刘莎莎策划（多伦多大学讲师），本次放映活动将呈现一组来自中国大陆及华人艺术家的最新实验动画作品。围绕“记忆”这一主题，这些作品展示了艺术家如何通过动画这一特定媒介，探索记忆的多重维度——无论是历史性的、集体性的、跨媒介的，甚至是机械性的。

专题放映将展映中国当代艺术家孙逊的四部作品。他以木刻版画、水墨、矿物颜料和油画等传统技法，与数字动画相结合，创作出跨越时间与文化的叙事。他的艺术实践模糊了绘画、素描与动画的边界，并以影像构筑出一座“记忆剧场”。孙逊的作品深受其成长经历的影响-他出生于文革后的中国东北，作品围绕历史、记忆和政治展开，通过繁复的动画制作过程，将现实与幻想的图像交织在一起，挑战既定叙事。

此外，动画短片单元将展映中国青年艺术家杨莉澜的作品。她通过机器生成影像，探索实验动画的边界，并在当代语境中对记忆的构建提出批判性思考。

孙逊短片展及映后座谈 | 3月8日（周六）晚7点 @ Innis Town Hall

马戏团枭雄

孙逊

详情

鸱吻之泪

孙逊

详情

一场革命中还未来得及定义的行为

孙逊

详情

21克

孙逊

详情

The screening is followed by a group panel discussion with Shasha LIU, Sessional Lecturer at the University of Toronto, Philippe Blanchard, Associate Professor at OCAD U, Director of the Experimental Animation program and Banu Kaygusuz Tezel, Sessional Lecturer at the University of Toronto

Philippe Blanchard is Associate Professor at OCAD U and director of the Experimental Animation program. He is a Toronto-based artist, animator and teacher. His diverse creative background (film production, digital visual effects, studio arts) has informed an interdisciplinary practice combining animation, installation, light shows, drawing, painting and printmaking. Recent projects include a residency and solo exhibition at Proyecto ‘ace (Buenos Aires) and an exhibition at Open Studio (Toronto).

Shasha Liu (刘莎莎) is currently a sessional lecturer at the University of Toronto. She graduated from the PH.D. program in the Department of East Asian Studies at U. of T in 2024. Her research and teaching interests include modern and contemporary East Asian art and visual culture, especially Chinese animation studies. Her article “Adapting Dunhuang in a Transitional Period: Negotiated Intermediality in the Deer of Nine Colours and Jiazi Saves the Deer,” won the Best Student Paper Award (First place) at the Inaugural Conference of Association for Chinese Animation Studies in 2021 and was published in the edited book Chinese Animation: Multiplicities in Motion (edited by Daisy Yan Du, John A. Crespi, and Yiman Wang) by the Harvard University Press in 2025.